I write this on the bar counter of Grand Prize, where a red light casts a glare like a broken bottle on the road side over every surface. There’s a din around me but when I pause to listen the music stops. “I’m thinking…”, “It’s you. Push it out now.” These conversations go on without me. There are moments when you become aware that you are of no consequence to your surroundings. You have become like a tile in the floor of the room’s subconscious. No one could offer you an alibi. It is not that you are inconsequential, but that no one is conscious of you.
It’s like being an invisible man who flickers on and off. At any moment someone will notice: the bartender realizes that that guy’s drink is empty; another lonely stranger eyes an empty seat but hesitates because of the man writing fervently in the next seat. Writing draws attention here because the mind does not have the imagination to block blot him out.
I have two responses to being the invisible man. Either to feel lonely and grasp for attention; or to feel powerful and watch with distant satisfaction.
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Earlier on a bicycle I passed through Rice University. The pavement fit smooth and seamless under the wheels. There was not a cloud in the sky but wisps curling around the edge of the horizon. Rice has a marvelous sky above it. You pass under oaks whose limbs blot out the light, and you emerge under an endless canopy. It feels as though you have stepped into a desert after wandering around a forest. The buildings aid the effect; they are low or feel low even though they rise in multiple stories. Compare the average height of a University of Texas building to a Rice one and I bet that difference is too small to account for the dwarfish their stature. Rice structures are all horizontally striped and nearly monochrome. I took a picture in the courtyard, facing the statue of the founder and the arched gates, which look as though they were made to keep out a barbarian horde. You can only tell they were not because there is no door, no bridge or mote or portcullis, and you are photographing it all.
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